Dear Readers,
Almost a year ago, I was presented with the opportunity to come onboard as Co-Editor-in-Chief of Rougarou. Despite the intense nerves I felt in taking this on, it has been one of the most enriching experiences in my writing life. I am grateful for that.
I inherited this position from the most capable hands of Kym Cunningham and Couri Johnson and in this capacity, it has been an honor and pleasure to serve alongside my Co-Editor-in-Chief, Maxwell Gontarek, and the incredible members of our editorial board, without whom none of this would be possible. As I bow out I do so with confidence in the fantastic work Max and the board will carry on in the years to come.
To our readers, thank you for being here with us and sharing in the magic, mystique, and absolute beauty of these pieces of writing—we hope they are as exciting to you as they are to us. To our contributors, thank you for trusting us with your work. It is a true privilege to be the bridge between you and the world.
Now, without further ado, we present the Rougarou Spring 2023 Issue! It’s a treat, for sure. If variety is the spice of life, this issue is well seasoned. There is something to make you feel everything and we are happy to be host to it all. Please enjoy!
—Brandi Hanna
Co-Editor-in-Chief
Looking at the postcards I collected for the visual component of this issue’s launch, I tried to find some connection between the shells I found abroad, the hotels I found at Reflections of Old in Lafayette, and Rougarou.
A shell, like a page, is a hotel.
Next fall we’ll be missing not only Brandi, our Co-Editor-in-Chief, but also our Fiction Co-Editors Patrick and Dora and our Poetry Editor Spencer. They’re graduated and off to Dr. pastures. But the marks they’ve made on Rougarou and everyone behind the scenes are indelible.
You can put your ear to them.
We hope our departing cohortians will send postcards and we hope you’ll dig the saturated colors collected in this issue, from George Clarke’s watercolor ducks to Mark Putzi’s patch of blueberry jelly, from shells to hotels.
There’s room for you.
—Maxwell Gontarek
Co-Editor-in-Chief
It was on the train when I saw the watercolor ducks by George Clarke
How I’d Spend It by Heikki Huotari
Untitled 28 by John Muellner
I’m Through by Sara Ryan
Before Language by Benjamin Socolofsky
The Other Eye by Ana Matias
Clamshell by Dylan Foy
Season of Mango by Michelle Kicherer
Shimmer by Larisa Pazmiño
Kite Flying by Mark Putzi
Co-Editors-in-Chief
Maxwell Gontarek, Brandi Hanna
Poetry
Editor
Spencer Silverthorne
Readers
Bram Frawley, Sam Huang, Eden Sliman
Fiction
Co-Editors
Patrick Caoile, Dora Holland
Readers
Harold Bosstick, Taylor Decuir, Ladi Opaluwa, Charlie Serigne
Nonfiction
Editor
Raquel Thorne
Assistant Editor
Chrys Albarado
Copyeditors
Chrys Albarado, Cortney Levine